Asmus jacob carstens biography of christopher

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    Drawing

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  • Asmus Jacob Carstens’ The Birth of Light, can be seen as the ultimate picture of a happy family: father, mother and child – emblematic, removed from surroundings of any kind. However, this absence of surroundings is significant. For if we examine the sources on which Carstens bases himself, it emerges that they go back to a shadowy Phoenician creation myth from before BC. The scene portrays an early cosmological stage in which the surroundings have simply not yet been created. All that exists is the primeval male power Phtas and the female state Neitha (Night). She has given birth to their child, Phanes (Light), who in the drawing – standing between his parents – is triumphantly holding up a torch above his head, and the primal embryo of all creatures has been born from the breath of Phtas. When this egg, which can just be seen in the drawing to the left of Phtas, has been hatched, heaven, the ocean and all other things arise. The little core family is as it were encapsulated in a cloak-like shell; the magnificent sweep of the elliptical outline also suggests something in the shape of an e

    Arkivet, Thorvaldsens Museum

    Carstens var en af Thorvaldsens tætteste kunstneriske og venskabelige forbindelser i Rom fra hans ankomst Carstens blev kendt i ’ernes Rom for sin idébetonede klassicisme. Han huskes for sine kontroverser med akademierne i både København og Berlin, og blev i det hele taget beundret for sin revolutionære indstilling – både kunstnerisk og politisk.
    Carstens fik herostratisk berømmelse ved at nægte at rejse tilbage fra Rom til en professorpost på Kunstakademiet i Berlin. Han erklærede i et brev af til det prøjsiske akademi:

    “… Übrigens muss ich… sagen daß ich nicht der Berliner Akademie, sondern der Menschheit angehöre, die ein Recht hat, die höchstmögliche Ausbildung meiner Fähigkeiten von mir zu verlangen; und nie ist es mir in den Sinn gekommen, auch habe ich nie versprochen, mich für eine Pension, die man mir auf einige Jahre zur Ausbildung meines Talentes schenkte, auf Zeitlebens zum Leibeigenen einer Akademie zu verdingen. Ich kann mich nur hier, unter den besten Kunstwerken die in der Welt sind, ausbilden…” (Fernow, op. cit., p. og Zeitler, op. cit., p. 9).

    Denne revolutionære frihedserklæring regnes i dag som et af kildestederne for ide

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