NORMAN BROWN
Born in Louisiana and raised in Kansas City, Norman Brown became interested in guitar at a young age when introduced to his older brother's six-string. Upon the discovery of Wes Montgomery, he was hooked on exploring the world of contemporary jazz, eventually studying it at the Musician's Institute in Hollywood.
He first hit the scene in with Just Between Us, garnering praise and comparisons to legends like George Benson and Wes Mongomery himself. Brown's sophomore album After the Storm was an extraordinary success. Topping the charts, Gavin and Soul Trained named it Jazz Album of the Year. His follow-up album Better Days Ahead won an American Jazz Award for contemporary guitar, with the title track becoming the most-added single in NAC history.
He continued with a steady string of well-received releases including Celebration in , 's Grammy-award winning Just Chillin', and West Coast Coolin' in In the midst of this string of solo successes, he also joined forces with saxophonist Kirk Whalum and trumpeter Rick Braun and formed the group BWB. They released their debut album Groovin’in In they released a tribute to Michael Jackson c
Guitarist Norman Brown splashed into the soul-jazz scene in as a recording artist for MoJazz and quickly went on to win substantial acclaim, beginning with his award-winning second album, After the Storm. Both Gavin and Soul Train named it Jazz Album of the Year, and After the Storm remained on the charts for over two years. Suddenly critics drew comparisons to other astonishing jazz guitarists from the past such as George Benson and Wes Montgomery, and Brown became the toast of the soul-jazz crowd. Following the remarkable success of After the Storm, Brown continued to wow jazz listeners. His highly awaited follow-up, Better Days Ahead, didn't quite measure up to the brilliance of After the Storm, but it nonetheless won the American Jazz Award for contemporary guitar and the album's title track became the most-added single in NAC history until that point. Following his flurry of successes at MoJazz, Brown moved to Warner Bros. in , where he began focusing on the evolution of his still-evolving career.
Born in Kansas City, Brown first became interested in the guitar at age eight, when he grew fond of his brother's acoustic six-string. He initially took much influence from such
Norman Brown&#;s source of wealth comes from being a guitarist. How much money is Norman Brown worth at the age of 54 and what&#;s his real net worth now?
As of , Norman Brown&#;s net worth is $, - $1M.
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Norman Brown (born December 18, ) is famous for being guitarist. He resides in Missouri, United States. Smooth jazz musician who has released solo albums like Just Chillin&#; and has also worked with the group Brown-Whalum-Braun.
Source of Money | Guitarist |
Real Name | Norman Brown |
Place of Birth | Missouri, United States |
Date of Birth | December 18, (age 54) |
Height | Under review (Under review) |
Weight | Under review (Under review) |
Ethnicity | Black |
Nationality | American |
Religion | Unknown |
Norman Brown is a Sagittarius and was born in The Year of the Dog
Life
Norman Brown was born in Missouri, United States on Friday, December 18, (Generation X). He is 54 years old and is a Sagittarius. Norman Brown is a smooth jazz guitarist and singer, often compared to his contemporary George Benson. He is a Grammy Award winner in the Best Pop Instrumental Album category.
He worked as a session musician in the s before putting
Jazz Guitarist Norman Brown And His Adventures Of Fatherhood.
Being a kid of the ’90s was such an awesome experience. We literally grew up around our television sets; this was when the big screen and the colored televisions were popular. We would often try to imitate Michael Jackson’s signature moonwalk dance watching his music videos on BET, and my brother and I would try to jump high and fly and dunk like Michael Jordan. Music has always had an impact on me and has saved my life. As a youth, I began to play instruments, but I did not really like it because I was not patient enough to take it seriously. My first instrument in middle school was the sousaphone, and if you are not familiar with this instrument it is in the horn section and it plays louder and deeper than the saxophone. I was often picked on in school but thank God I had gospel music to empower me with its soul-capturing lyrics and tones, and jazz music to transform me with its therapeutic and smooth vibes. I can remember singing in the shower and even sleeping in the bed with my portable radio. My father was the music connoisseur of jazz music on his CDs and vinyl and my mother adored her gospel music. We would o
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