Osias Beert
Osias Beert
Osias Beert
Osias Beert or Osias Beert the Elder (c. – /24) was a Flemish painter active in Antwerp who played an important role in the early development of flower and "breakfast"-type still lifes as independent genres in Northern European art. He has been recognized as one of the most influential artists of the earliest generation of still life painters in Flanders.
Little is known about this artist's early life. It is believed that he was born in Antwerp around and studied under the little-known Andries van Baesrode (or 'van Baseroo'). He joined the city's Guild of St. Luke in and married Marguerite Ykens on 8 January
Beert was not only a painter but also traded as a cork merchant. Beert was also a member of one of the local Chambers of rhetoric, which suggests he was involved in intellectual pursuits other than painting. He is believed to have died in Antwerp at the end of or
His pupils included Frans van der Borch, Frans Ykens (who was his nephew), Paulus Pontius and Jan Willemsen. Beert’s son, Osias Beert the Younger (–78), was also a painter but is unlikely to have studied under his father since his father is
Osias Beert remained unknown for many years before he was brought out of oblivion in , when the still life became very sought after by art-lovers and collectors. Like Georg Flegel in Germany, Osias Beert is one of the leading figures in the early days of still life painting in Flanders. Little is known about his life: he may well have been the pupil of the painter Andries van Baesrode in , after which he became a master of the Guild of St. Luke in Antwerp in He married Margaretha Ykens in and had 12 children, including Osias Beert II. He was known to have six apprentices and in addition to being a painter, he was also known as a cork merchant and lived in the fishermen's quarter. Paintings of breakfasts, floral compositions and still lifes of fruit were his speciality. His paintings are composed of a juxtaposition of food, crockery or precious trinkets on the slanted surface of a table. In order to show the elements in their entirety, he arranges them on various planes. An archaic frontal and distributive presentation, the careful execution of a masterful realism, a dark abstract background, and bright and smooth colours: these are all the characteristics that make Osias Beert t
Artichaut, fruits et coupes
Osias Beert est un peintre flamand né dans la région d’Anvers en Promu maître de la guilde de Saint-Luc, corporation de peintres, quelques années avant de mourir en , il est considéré comme l’un des plus remarquables maîtres de natures mortes des Pays-Bas méridionaux du XVIIe siècle. Le contexte religieux qui prévaut alors pousse les artistes à se tourner vers une clientèle laïque et à répondre à des commandes de tableaux de chevalet. Au-delà de la simple délectation, la représentation d’un paysage ou d’une nature morte s’avérait un moyen subtil de promouvoir la réflexion sur le sens de la vie voire sur la spiritualité. Fleurs, Fruits, vase et autres objets est une composition qui obéit aux règles en usage dans la peinture d’objets du XVIIe. Sur un arrière-plan uniforme se détache un vase en porcelaine chinoise d’où émergent des tulipes qui témoignent à leur façon de la « Tulipomania » qui sévit dans les Provinces-Unies au XVIIe siècle. Symboles de l’orgueil ou du luxe, ces fleurs apparaissent dans toute leur fragilité, comme en témoigne le pétale tombé, tandis qu’à leur façon les papillons et libellules illustrent élégamment la précarité de la vie
Biography
Flemish painter, son of Osias Beert the Elder. He was admitted at the Guild of St Luke of Antwerp in He followed in the steps of his father. His still-lifes present recurring fresh and cooked food as well as table ware on a tilted table-top. The frontal, serialised featuring of the different items enables painter and viewer alike to identify details all the better as each coloured element stands out against a dark, neutral background.
Although somewhat less perfect than his father, Osias Beert the Younger was a very skilful artist, ranking high among the midth-century still-life painters. He belonged, together with Jacob van Es and Frans Ykens, to the second generation of the so-called masters of the archaic still-lifes.
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