Designer of the Week:Robert van Embricqs. The Dutch designer is fascinated by the aesthetically pleasing, yet intricate complexity of the natural form. Finding inspiration for his designs in bone structure, plant life, and movement, one question remained ever present: ‘To what degree is the object you&#;re creating capable of dictating its own design?’ This led him to develop a minimalistic design approach that can best be described as a collaboration between designer and the used material.
Image Source: Behance
The work of van Embricqs is not only aesthetically pleasing, it also creates an interaction with the user because of the movement between the flat and 3D form. The Rising Chair concept was so well-received that Van Embricqs decided to put this into production, in addition, to create other similar pieces of furniture, including side tables, bowls, and lamps.
With his designs for furniture Van Embricqs starts out by making small incisions on a flat surface, then sits back to watch and study the reaction to the new shape it is able to assume by rising the structure. An important aspect of his design process is Van Embricqs’ conscious focus on marrying fun
Rising chair &#; Robert Van Embricqs
Robert Van Embricqs est un designer Néerlandais diplômé en de l’académie Gerrit Rietveld à Amsterdam. Il est fasciné par les formes de la nature qui sont belles tout en étant très complexes. Pour créer son mobilier, Il trouve l’inspiration dans la structure des os, la vie végétale et le son processus de conception, Van Embricqs a la volonté de marier l’aspect fonctionnel avec un regard esthétique. Selon lui la fonctionnalité n’est pas obligatoirement égale à la conformité, cela peut être le point de départ de la créativité.
Il connaît un grand succès avec la ligne de « rising furniture », composée de meubles pliables entièrement pour devenir des objets plats en deux dimensions, tels des tableaux. Une table de chevet, une table basse, une corbeille à fruit ou encore une chaise composent cette série minimaliste, fonctionnelle et esthétique.
Nous allons nous intéresser à la chaise pliable, avec laquelle il a gagné le prix de Red Dot design en Elle est réalisée par la découpe de tiges en teck successivement plus grandes les unes que les autres et attachées entre elles par des charnières en cuivre. Ce système permet à
Robert van Embricqs has always been captivated by the beauty of simple yet intricate designs. His creative inspiration stems from the natural world—think the skeletal systems of animals, the organic structures of plants, and the dynamism of movement. Van Embricqs is driven by an enduring question: How much of a role does the material itself play in shaping the design?
The Philosophy of Minimalistic Design
In his quest for answers, he has developed a minimalistic design approach that acts as a partnership between the designer and the material used. Unlike conventional design strategies that impose the designer&#;s will upon the material, van Embricqs believes in letting the material speak for itself. It&#;s a collaborative process, where both the designer and the material are equal partners in creating something beautiful and functional.
The Intersection of Aesthetics and Functionality
A noteworthy facet of his design methodology is the deliberate emphasis on combining functionality with beauty. For him, a well-designed object is not just about how it looks but also how well it serves its purpose. Contrary to what one might expect, focusing on functional design doesn&#;t have
Profile: Robert van Embricqs
About Robert van Embricqs : Dutch Designer Robert van Embricqs studied Architecture at the Gerrit Rietveld Academy. Post graduation, he focused his attention on finding new ways to adapt the techniques he developed during his studies. These can be found on chair designs and different projects in smaller and bigger scale. In his research, Van Embricqs became fascinated by the aesthetically pleasing, yet intricate complexity of the natural form in bone structure, plant life and movement. To what degree is the object you&#;re creating capable of dictating its own design? This is the one question that always remained ever present. This led him to develop a minimalistic design approach that can best be described as a collaboration between designer and his material. With his design for furniture Van Embricqs starts out by making small incisions in a flat surface, then sits back to watch and study the otherwise rigid wood’s reaction to the new shape it is able to assume. An important aspect of his design process is the conscious focus on marrying functionality with an aesthetically pleas
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