Mission Hills Mid Century Time Capsule
Violin, labeled on the inside: "Copy of Stradivarius violin made by Albert Goetz " Goetz (original spelling, "Gotz") was a luthier born in , and began making violins in his own workshop in Markneukirchen, Germany in quantity, and a range of styles. This instrument appears to be in good vintage condition. Surface marks are evident, but fairly minimal; moderate wear from rubbing. No holes or breakage. Wear to neck, but nothing unusual. Pegs, chinrest intact. Bridge appears to have some wear, unknown if original. Tuning adjustment screws intact. Deep golden brown varnish and patina. Two-piece back construction. The violin is strung, one string broken. Unknown storage conditions. Includes original-appearing lined case, (worn, intact) horsehair bow, extra strings and vintage rosin.
Potential for a nice intermediate to advanced student instrument.
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Shipping and handling is available by request. However, costs are not included in the final price. All parties are responsible for paying their own shipping costs based on the USPS shipping rates plus a supply charge of
Discover how book covers evolved over the centuries with Silja Götz
In the beginning, books were leather-bound, made to fit someone's library. Only in the 19th century, images started to appear on covers to give us an idea of a book’s content.
Silja Götz (@Silja) is a German illustrator who has worked with press clients like The New Yorker, Elle, Vogue, Vanity Fair, Die Zeit, Outdoor magazine, and more. Her book cover illustrations adorn the books of publishers like Penguin Random House, Harper Collins, Gräfe und Unzer, and Doubleday. In her Domestika course, she reveals the secrets of conceptual illustration to create eye-catching book covers and tells us how book covers evolved over the last century.
Beginnings
The book cover as a way of advertising the book’s content did not exist until the late 19th century. Until then, book bindings—made in leather or vellum—were merely handcrafted protection for expensively printed or hand-written pages. In the s, with the introduction of steam-powered presses, books became cheaper to make, and it made sense also to produce covers cheaply, using mechanical binding.
Early design influences
The ability to print made it possibl
My name is Silja Goetz. I’m an illustrator and have been for over 20 years. Born in Germany I'm now working from Madrid for clients all over the world.
I've always been keen to broaden my range and this has led me to illustrate covers of novels or books on popular science as well as working for editorial and commercial clients. Among them The New Yorker, Die Zeit, Vogue, Vanity Fair, Penguin Books, Random House, Estrella Damm Beer and Fournier Playing Cards.
I have a degree in Communication Design and first started out doing my illustrations as a sideline while I was working as a designer for a women’s magazine. But soon my urge to CREATE images instead of just moving them around on a page became so great that I left my secure day job behind to become a full time illustrator. I’m now doing what I love for a living and have not looked back ever since.
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Digital edition of the works of Albert the Great
The Albertus Magnus Institute in Bonn (Germany), responsible for the critical edition of Saint Albert the Great, has now prepared a digital edition of the 28 volumes which since have appeared. Here you can download the English-German flyer with detailed information on the use of this digital edition. Free access to a trial version is available here.
As a complement to this ‘Editio digitalis’ the ‘Alberti Magni e-corpus’ has been available for some time, which focuses on the volumes not yet critically edited and where one can download both the Borgnet and the Jammy editions.
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