Sitakant Mahapatra, an eminent Indian poet, writer, and eminent personality, born on September 17, , in Cuttack, Odisha. Sitakant Mahapatra, a man of many talents, has made a profound impact on the world of literature with his remarkable poetry and impressive literary works. Let&#;s delve deeper into the lifestyle and achievements of this renowned figure.
Sitakant lifestyle is a reflection of simplicity, humility, and intellectual depth. He is known for leading a disciplined and ascetic life, focusing primarily on his literary pursuits and social contributions. His days are usually filled with reading, writing, and reflecting on various aspects of life and society.
Early in the morning, Sitakant starts his day with a cup of tea and spends quiet moments in contemplation. He believes in the power of solitude and introspection, which allows him to channel his thoughts and emotions into his creative works. As the day progresses, he often engages in reading works of other poets, writers, and intellectuals, drawing inspiration from their ideas and perspectives.
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Sitakant writing process is a meticulous one. He spend
What have been the major sources of inspiration for your poetry?
My experiences in my village. The school in which I studied was across the river from my village, and ferrying across was a normal thing, just as swimming was. Memories of the many moods of the river, the nights without electricity, the tambourines and mridangams used during worship, all influenced my poems. My father's recitations from classical and medieval Oriya texts and the Mahabharata also influenced me a lot.
My first poems were published in in the college journal, Jagorono, with which many eminent writers such as Anandasankar Ray of West Bengal, Jnanpith award winner Gopinath Mohanty, Kalindi Panigrahi and Ramakant Raut from Orissa have been associated.
What motivated you to join the IAS?
It was the question of finding a secure and respectable job. The choice was between teaching and the civil service. I chose the latter.
What drew you to anthropology?
I was led into the subject through my poetry. I worked for about 4 years in Mayurbhanj and Sundargarh, 2 tribal districts in Orissa, and learnt about tribal "song poems". I have always called them song poems because they are primarily meant to
Sitakant Mahapatra: Art as a Mudra Negating Darkness
International Journal for Multidisciplinary Research (IJFMR) E-ISSN: ● Website: ● Email: editor@ Sitakant Mahapatra: Art as a Mudra Negating Darkness Prof. Kokila S. Mathur Department of English, Dyal Singh College, University of Delhi Abstract Sitakant Mahapatra, Padma Vibhushan, Jnanpith and Sahitya Academy Awardee, a literary giant from Orissa, India, is deeply concerned about the dehumanization of life in our times and addresses the urgent need for revitalization of thought and the life of here and now. He advocates a return to the roots as Tradition is a song, a winged-word linking past to the present and would provide succour from scientific aridity as well as provide stability to individual psyche and social structure. Art derives spiritual energy from the mythopoeic embedded in tradition, especially of Indian culture. The creative artist must reveal his commitment to universal values which emphasize instinct, imagination and community togetherness. 'Brahman' in the marketplace, the celebration of being in the world in all its hues is Mahapatra's mantra. Keywords: Tradition, Sacral, Mudra, Communitas, Philo
Dr. Sitakant Mahapatra, Oriya poet
Dr. Sitakant Mahapatra (born ), a former member of Indian Administrative Service (IAS), is one of the well-known writers of India. He writes poems and literary criticism in Oriya and English. Author of more than seventy noted titles, and winner of all the important literary awards in India including the Bharatiya Jnanpith, his works have been translated in almost all Indian languages and several foreign languages. (He published more than poems and 28 publications in English, as the records go. He has written books on social anthropology in which he discusses the relationship between the traditional tribal society and the new government-sponsored development policies and programs. He has closely followed the Santhal tribal culture and ethos.
His works include: Dipti O Dyuti (his first collection, ), Ashta Padi (), Saara Aakas (), Ara Ddrushya (), Shreshta Kavita (), Sabda Svapna O nirvikata (), Aneka Sarata (), Ushavilasa () and in English: The Ruined Temple and other poems (). Unending Rhythms is his work on oral poetry of Indian tribals in translation. ‘The Curve of Meaning’, ‘Gestures of In
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