Avis Newman is a London based artist. Her work has featured in national and international solo, group and touring exhibitions including most recently: A Very Special Place: Ikon in the s, Birmingham, UK; the Walker Art Gallery, Liverpool, UK; Tate Modern, London, UK; 5th Moscow Biennale of Contemporary Art, Moscow, Russia; Mummery + Schnelle Gallery, London, UK; The Gallery at Norwich University of the Arts, Norwich, UK; The Museum of Modern Art, New York, USA; Seoul National University, Seoul, South Korea; Irish Museum of Modern Art, Dublin, Ireland; National Museum of Art, Kaunas, Lithuania; The Museum of Contemporary Art, Sydney, Australia; Tate Britain, London, UK.
Newman has been a visiting Professor of Fine Art, Norwich University of the Arts, ; Professor of Drawing at The Centre for Drawing, Research Centre: Wimbledon, UAL, UK, where she developed a Phd Drawing Research Group and was editor of ‘Notes’, a publication documenting artists residencies at The Centre for Drawing Project Space, UAL from
She was artist-advisor at Rijksakademie van Beeldende Kunst, Amsterdam, NL, where she was also co-editor from of the journal ‘Documents’ published by Rijk
Avis Newman’s work is rooted in the conceptual space of drawing and incorporates canvas works, objects and works on paper. Central to her practice are longstanding influences from the symbolic worlds of early cultures. Fundamental ideas of ‘origin’, as embodied in genesis of the mark and the initial moment of tracing are given expression as an amalgam of signs, inscriptions and encoded images. This brings to mind for the viewer, different modalities of being that are analogous to the deep structures of the mind.
Concepts of boundary and edge, and framing the limits of the unframed continue to be a preoccupation for Newman. Since , she has identified her works as Configurations - ‘assemblages of interchangeable elements, layered, hung, and partially overlapped, which are arranged in sets or in sequences and that resist an absolute fixity.’1 These works propose a series of mobile relations that exceed fixed boundaries and become provisional in nature. Here, images do not suggest a correspondence to things in the world, but are things in themselves.
Curating and editing formed part of Newman’s extended practice from to and coincided with a period in which she
Avis Newman facts for kids
Avis Newman (born , London) is an Englishpainter and sculptor.
Newman's drawings and large un-stretched canvases document her contemplative and intuitive investigation of the subconscious. Since the early s she has been primarily associated with large-scale, minimalist drawings on un-stretched canvas - usually pinned directly to the gallery walls for display. Avis had her first solo exhibition at Matt's Gallery, London, in
Career
In , she selected drawing works from the Tate Collection for the large-scale exhibition, ‘The Stage of Drawing: Gesture and Act’, curated by Catherine de Zegher for The Drawing Center, New York, USA and Tate. It was exhibited at The Drawing Center, New York, USA; The Museum of Contemporary Art, Sydney, Australia; Tate Liverpool and Tate Britain, UK. Her curatorial and editorial practice enabled a theoretical exploration of drawing practice linked to unconscious processes.
She was a visiting professor of Fine Art, Norwich University of the Arts, – Professor of Drawing at The Centre for Drawing, Research Centre at Wimbledon School of Art, UAL developing a Phd Drawing Research Group and was editor of ‘Notes’, and was v
Avis Newman (b. )
Avis Newman (b. ) - is an artist, curator and lecturer. She is a Professor at Wimbledon School of Art and Lecturer at the Rijks Academy, Amsterdam. Avis Newman's drawings and large un-stretched canvases document her contemplative and intuitive investigation of the subconscious. Throughout her career she has worked with a range of media, although since the early s has been primarily associated with large-scale, minimalist drawings on un-stretched canvas - usually pinned directly to the gallery walls for display. Central to Newman’s own practice as an artist is the notion of drawing as the silent act of marking, gesturing and making signs. She describes drawing as the activity that is closest to pure thought. She first exhibited at Matt’s Gallery in with Scenes and currently sits on the gallery’s committee of management. Recent solo exhibitions include Lisson Gallery, London ; The Drawing Centre, New York, and Avis Newman: Descriptions at Museum of Contemporary Art, Sydney, Group exhibitions include Paula Rego, John Murphy, Avis Newman, Saatchi Gallery, London in La casa, il corpo, il Cuore at The National Gallery in Prague, Czech Republi
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